relevate logomark
2011
Branding, Graphic Design
This is an illustrative narrative of the relevate® logomark creation process.
- Recently I was commissioned by a branding company to create the logomark for one of their clients. The company needed a new name and a logomark to reflect the new direction the company was heading. I've done many of these exercises in the past with clients including a major national airline, a regional convenience food retailer and more recently a logo for an ebook reader. These exercises can either go very wrong and or in most of my cases a very exciting and fun experience so I thought I'd share with my 4 loyal readers a little bit of my process. I'm very fortunate to work with very professional and buttoned up agencies that I rarely run into problems. Maybe because I'm also very choosy with the projects I take on. I don't do this for the money, although that's a BIG plus. I do this for the sheer high I get from designing and seeing my work fly above me or flashed in one of the billboards in Times Square. But I digress. Here's a glimpse of my process. I ask. No. Demand a detailed creative brief from the client/agency or design firm. I do a tremendous amounts of research especially if I'm not familiar with the industry. I make the usual competitive analysis and learn as much as I can about the company or organization I'm designing for. For this project, we started with the Brand Architecture. What is the spirit of the exercise? What does the new name aim to express. What's the promise?





- You notice that I sketch on a moleskin notepad with an actual PEN. Yes, I do try to stay away from the computer in this part of the process. I don't want to be distracted by all the tools that computers offer. I don't even think about colors at this point. This is for pure concept ideas and I find that sketching on paper really helps me eliminate all the 'noise' associated in designing straight on the computer. If I find that I have concepts that can work. That's when I hit the computer and test the mark with some type treatments.



- This is the part, when things can go terribly wrong. The part when we present to the client. If I didn't do my research fervently, it will go downhill from here. The client will either LOVE it or it may just LIKE it. Like is something you don't want to hear. That means be prepared for some major revisions. LOVE is a thinly veiled expression of 'I LOVE this so much I want to control it and make it mine'. Yes that's what the client is thinking at this point. Not all clients are like this ofcourse, but this is more of the rule than the exception. Managing the client is critical at this point. You want to make the client feel like they are part of the process yet you want to set the pace and control and direction somewhat. You are after all the creative professional. This is also the time when we introduce some color options











- It was pretty painless for me this time. The client loved one of the mark. However they wanted to explore more type treatment options.



- It’s then on to colors!


- Color is tricky. This is where your knowledge of the brand character really pays off. There are literally millions of colors to choose from but only a handful that's actually right. You need to make a competitive color study. What space does your client occupy in the spectrum compared to its competitors. There are many factors to consider such as applications and production considerations. You may have the best mix in the gradient you created for a particular shape. But if you're not going to be able to print it or display it properly on screen, what's the use?







- The responsibility shouldn't be taken lightly. But when everything fall into place, it can be very rewarding.

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All works © Ernie Agtarap 2011.
Please do not reproduce without the expressed written consent of ernie agtarap.
Please do not reproduce without the expressed written consent of ernie agtarap.
